• SHORT
    • LONG
    • worklist by genre
    • worklist by year
    • blog
    • Exploring Operafilm
    • Duet With the Past
  • news
  • operafilms
  • operas
    • discography
    • archive
    • press portraits
    • Colleagues
    • lagniappe
    • galleries
    • Papers / Archive
    • Fleisher Collection
    • Bibliography
    • interviews / lectures
    • Reviews
  • contact
Menu

Daron Hagen

  • bio
    • SHORT
    • LONG
  • music
    • worklist by genre
    • worklist by year
  • words
    • blog
    • Exploring Operafilm
    • Duet With the Past
  • news
  • operafilms
  • operas
  • recordings
    • discography
    • archive
  • gallery
    • press portraits
    • Colleagues
    • lagniappe
    • galleries
  • research
    • Papers / Archive
    • Fleisher Collection
    • Bibliography
    • interviews / lectures
    • Reviews
  • contact

blog

On the beach at Rio Mar, Nicaragua. p/c: Daron Hagen

On Fatherhood

May 6, 2026

I.

Countless metric tons of seawater hurtled into and over las Cortinas, or curtains—named for the cascade the Pacific makes when it thunders over them and the slab-like shape of the volcanic rock formations themselves—thrusting out of the Nicaraguan shoreline south of Casares with the weight and sound of a doomed jet. It was the hour between dog and wolf, when the light parts the veil between day and night in a part of the world comprised of attracting opposites: priceless natural beauty and heartrending poverty; profound generosity and the expedience of necessity; life, and the other. 

I looked to the sun, a somniferous blob of mercurochrome, far out to sea. My sons—still my hearts outside of my body, aged six and ten—built a sandcastle in the surf a few feet from me with their friend, conscious of the place’s beauty, but still untouched by its menace. I reassured myself of their safety by observing that their mother and grandmother were close by.

A swimmer who looked to be about twenty-two, slender, swarthy, and breathtakingly reckless, thrashed in a shallow, rocky posita at the base of the curtain of frozen lava on which hammered the deafening tide. He stroked piston-like, joylessly, against the incoming rollers, his arms pumping mindlessly in the confined space like a diaphragm providing air to a dying brain. When his head disappeared among the razor sharp outcroppings, I thought, he’s going to die, and commenced the mental calculus—distance from me to him, him to the rocks, boys to their mother, next wave to the shore, time required to cover the distance between us, distance I could go without leaving my sons fatherless. His head reappeared, and the wave flicked him backwards. He could either get out or dive into the next wave. 

Out of the corner of my eye I noted in an instant both my oblivious children’s joy and the horror on the women’s faces. I halved the distance between myself and the swimmer in case I was compelled to decide whether or not to try and save him. At that moment, with difficulty, he climbed out of the surf. So he is going to live, I thought. Shaking my head, I turned to my family. My wife’s eyebrows rose; wordlessly, she indicated with her finger that I should look back. 

He had scaled an immense slab of frozen lava and now stood, back to us, arms thrown wide like waxen wings, facing the ocean, haloed by the ruby sunset, dazzling in his youth, his arrogance, his foolishness, his proximity to his own destiny? He’s invited Death in, I thought. There wasn’t even time to call out to him. In one beat, his legs were swept from beneath him and he disappeared. Sucked inland, not seaward, between the Charybdis of water and Scylla of stone, his head reappeared for an instant as it hit a shelf of rock six feet under where he had just been standing. His legs followed as the waves cascaded over and around him, pushing him into the posita another six feet down, where he disappeared again. I began towards him. His head reappeared. I determined to drag him out of the water and begin CPR. Came the next wave, which pushed him under and expelled him, raking his legs against the barnacles. I thought, if he’s unconscious, then it’s going to be easier to serve as Charon, if I can reach him before he’s carried out to sea. 

As I made for him a third time, he hauled himself out of the water, and strode decisively to a log on the beach, pulled a phone from a bag, and began texting. I stopped and observed him. Stabbing at the phone, he seemed unaware of the blood streaming from the deep cuts and abrasions on his legs. If he had been concussed, then he hadn’t yet gone into shock. He didn’t seem drunk, altered, or fatally injured—there seemed even to be a slight caper in his step. (Or was that my imagination?) Was he suicidal? Had he stupidly taunted Death in some sort of sideways-macho-bullshit Hemingway stunt, or was he just a fool? What was his story?

The children, concentrating on their sandcastle, seemed to have missed it all. I inhaled deeply, noting with a trace of guilt that I felt no compassion for the boy, and felt relief that I hadn’t really been called upon to decide whether or not to risk my life to save him. My youngest sang quietly as he patted the wet sand; the ladies were still processing their astonishment. My older boy looked up at me. “Did you see that?” I asked him, indicating the swimmer, his back to us, sloping up the beach in the starlight, talking animatedly on the cellphone. “Hmm?” He replied. “The boy who nearly met Death just now,” I answered. “No,” he said, sunnily. “I was watching my sandcastle get swept away.”

II

The Pacific was anything but. It was that time of the day in the tropics when the competing gravitational pulls of the setting sun and the rising moon are at their most fierce. The idea that the seventh wave is always the largest is a myth of course; but there is to the surf a stubbornly predictable, horrible rhythm of violence and surcease. The sheer tonnage of seawater thrown against the Nicaraguan coast can crush you like a rag doll if you’re caught at sunset between the water and the lava cliffs.

It was February 2015, and Enrique Bolaños, the affable right-winger whom I had met at a party in 2007 was out. In the interim, Daniel Ortega had returned. He had thrown up statues of Bolivar and Chávez here and there, built homes for those Managüenses who had been living in Las Ruinas, accepted a treatment facility from the Germans to decontaminate Lake Nicaragua, began coming to terms with La Cheureca, and begun paying people to pick up the garbage around the highways. Closer to our little house, talk had finally given way to definite plans for the restoration of the Casares oceanfront, devastated by the 1992 tsunami. The road from Diriamba to Casares had been paved; the Chinese had fixed the one that ran south. There was even talk of running a municipal water pipe south to the Hotel Lupita, just to the north.

One evening, as my son and I walked northwards along the beach, his small, strong hand—as seven-year-old boys’ hands must—began writhing wildly to get free. He was desperate to run into the Pacific, to throw himself into the incoming surf, and tired of his father telling him to be careful. Rendered breathless by the intensity of his own emotions, he cried, “Let me go, Papa. Let me go!” I gripped his hand all the harder as the seventh wave begin to rise to the west, Leviathan-colored, majestic, and awful. “Ow, Papa,” he said, pulling away.

I lost my footing, fell, lost my grip, and he dashed into the water in pursuit of his flip-flop. He dove for his shoe just as the undertow was strongest and slingshotted seaward like an arrow, arms extended, head down, somersaulting like driftwood. My heart exploded. There was nobody around to call out to, no time to damn myself for being over 50 and out of shape. I pushed up from the sand and stumbled into the surf just as the next roller, horse head high, broke over him. God, take me and not him was my only thought. I was about six feet from him when the wave hit me head on and brought me to my knees. My arms were extended before me like a priest’s arms to a congregation, half a broken Host in each hand. Water still up to my neck. I heard the roar of the wave breaking on the beach behind me.

Suddenly, my son appeared before me, tossed skyward like flotsam by the wave, clutching his lost flip flop, a look of wild triumph on his proud, beautiful, magnificent face. The ocean threw him into my arms and I grabbed him, hard, and held him for dear life as my heart burst a second time. How could any Father ever look on as his son drowned, I thought. Right? There was a knot in my throat, and a hot iron behind my forehead. Death has slapped me on the back and bought me a Toña, I thought, aware that I was going into shock. “Run up the beach,” I told my son. “Get inland.” With a passing, quizzical look, he did as he was told.

A father’s dignity comes, Lord, from the fact that one of us will (and has a right to) completely forget that they were saved today, but the other will not, I thought. A moment later, I caught up to him and, together we continued up the beach. I could scarcely breathe. He had no idea how close we had both come to drowning. I watched him from the corner of my eye as—happy—he pointed his strong chin into the wind. After a while, whistling, he slipped his hand back into mine, and together we returned to the little house. “Want to watch Pelicans roost?” I asked, knowing that he would say yes.

III.

The music in my dream drowned under the swoosh of a passing car. I thought, I was in C, but heard myself whisper to the dark, "I am at sea." Outside, a rain squall hissed against the air conditioner like water hitting grease in a hot pan. The hound trembled against my calf. When I tore the mask from my face, a harsh, mechanical eruption of air broke the silence, quickly stilled as I thumbed the machine off. In the sudden quiet, a susurrus stirred the Tulip Trees outside. Then came a total, silent stand of tide. I gently dislodged the dog and moved, as quietly as a man of my age and girth can, toward the hallway that opens onto my sons’ rooms.

As it had countless times before, time froze—the same suspended animation I felt on Delancey Place, hearing Lisa’s Shostakovich through the walls from one floor and Michaela’s Bartok from another. I stood paralyzed that night on the stairs, knowing I was leaving Philadelphia in every way. It was the same stillness as the night Roland Flint read "Resuming Green" in my MacDowell studio, his rolling baritone describing the way a streetlight lit the swaying branches outside his daughter’s room the night he decided to leave. Or the way the sky looked—so silent and crisp—as I stood stupidly in an emergency room parking lot after Father and I had ferried Mother’s remains there. Or Venice: standing by a streetlamp at the station, pulled back to my senses by the scent of brioche, a kindly face, and the gurgle of a passing vaporetto’s wake—a muffled engine snoring like a contented, sleeping bear.

What crashes on the beach is driven mostly by the wind, I thought, checking on my older son—now eighteen. His long limbs extended past the end of the bed, arms thrown above his head like a sleeping Baryshnikov. These incoming waves are measured in seconds—the splashing we delighted in when he was three at the park, the heavy surf in Nicaragua, and suddenly a boy a foot taller than me, stepping out of the shower on his way to a date. Like a man hit by a swell, I lost my balance for an instant, then poked my head into his fifteen-year-old brother’s room. I thought of our nights in the dark: listening to his latest composition, debating the big issues, hearing him read from a new manuscript, or him explaining Infinite Jest to me or….

As my older son sat in the front row beside his date, watching George and Emily transition from childhood friendship to young love over a soda, I stole a glance at their faces from a few seats away. I caught them at the exact moment Emily whispers, “I… I am now; I always have been.” And then, just a few minutes later, the tide shifted again as my other boy, playing Mr. Webb, stepped forward to give Emily away.

A few hours ago, we were all seated around Kevin’s heavy wooden table, clasping hands for a quick blessing. I thought of Gilda singing, “Do any human beings ever realize life while they live it—every, every minute?” to Ned as I accompanied Emily’s aria in his Our Town. I felt the tide of emotion rise behind my forehead like a boule—a hard, rising knot of water. Searching for a blessing, I could only sob and say, “This was heaven.”

We’ve begun, I think, as I turn my back to their darkened rooms and hear the steady thrum of their breathing, the ebb tide. A deep respiratory sigh measured in years, in generations. The years when Icarus flies and my generation falls—but it’s okay; the descent is full of life. My sons’ transit is out and away from me, their sails bent for the infinite sea.

Las Cortinas, Nicaragua. p/c: Daron Hagen


The first section of this piece originally appeared in the Huffington Post. Click here to read it there.

On Teaching →
Featured
On Fatherhood
May 6, 2026
On Fatherhood
May 6, 2026
May 6, 2026
On Teaching
May 6, 2026
On Teaching
May 6, 2026
May 6, 2026
On Ned Rorem (1923-2022)
May 3, 2026
On Ned Rorem (1923-2022)
May 3, 2026
May 3, 2026
IMG_0766.png
Apr 27, 2026
On Notes
Apr 27, 2026
Apr 27, 2026
best_music_face.png
Feb 12, 2026
On Montage
Feb 12, 2026
Feb 12, 2026
On Composing
Jan 30, 2026
On Composing
Jan 30, 2026
Jan 30, 2026
On Nicaragua
Dec 7, 2025
On Nicaragua
Dec 7, 2025
Dec 7, 2025
Screenshot 2025-11-17 at 5.43.35 PM.png
Nov 17, 2025
On Working
Nov 17, 2025
Nov 17, 2025
On Vocal Scores
Nov 2, 2025
On Vocal Scores
Nov 2, 2025
Nov 2, 2025
On Orchestrating Brahms
Oct 2, 2025
On Orchestrating Brahms
Oct 2, 2025
Oct 2, 2025
On Performing
Sep 3, 2025
On Performing
Sep 3, 2025
Sep 3, 2025
On Music Copying
May 4, 2025
On Music Copying
May 4, 2025
May 4, 2025
On Teachers
Apr 24, 2025
On Teachers
Apr 24, 2025
Apr 24, 2025
On Venice
Mar 28, 2025
On Venice
Mar 28, 2025
Mar 28, 2025
On Singing Beautifully
Apr 9, 2024
On Singing Beautifully
Apr 9, 2024
Apr 9, 2024
On David Del Tredici (1937-2023)
Mar 18, 2024
On David Del Tredici (1937-2023)
Mar 18, 2024
Mar 18, 2024
IMG_9973%2B2.jpg
Jan 28, 2024
On Being Ready
Jan 28, 2024
Jan 28, 2024
On Composing "Shining Brow"
Dec 6, 2023
On Composing "Shining Brow"
Dec 6, 2023
Dec 6, 2023
On Louis Krasner
Nov 2, 2023
On Louis Krasner
Nov 2, 2023
Nov 2, 2023
On Onegin, the Perfect Libretto
Jun 25, 2023
On Onegin, the Perfect Libretto
Jun 25, 2023
Jun 25, 2023
On Ned Rorem's Our Town
Jul 12, 2022
On Ned Rorem's Our Town
Jul 12, 2022
Jul 12, 2022
On Burt Bacharach (1928-2023)
Apr 15, 2022
On Burt Bacharach (1928-2023)
Apr 15, 2022
Apr 15, 2022
Orson Rehearsed: Naxos Explore Classical Music Interview
Jun 26, 2021
Orson Rehearsed: Naxos Explore Classical Music Interview
Jun 26, 2021
Jun 26, 2021
Orson Rehearsed Interview: New York Arts and Cinema
May 7, 2021
Orson Rehearsed Interview: New York Arts and Cinema
May 7, 2021
May 7, 2021
Screen%2BShot%2B2021-01-10%2Bat%2B7.48.35%2BPM.jpg
Dec 7, 2020
Orchestrating a Psychological Landscape -- Interview: Fullshot Cine Mag
Dec 7, 2020
Dec 7, 2020
Screen+Shot+2020-05-06+at+3.06.37+PM.jpg
Nov 23, 2020
An Affair of the Heart -- Interview: Toronto Film Magazine
Nov 23, 2020
Nov 23, 2020
Orson in the Bardo -- Interview: Wellesnet.com
Nov 7, 2020
Orson in the Bardo -- Interview: Wellesnet.com
Nov 7, 2020
Nov 7, 2020
"Orson Rehearsed" Interview: Chicago Movie Magazine
Oct 12, 2020
"Orson Rehearsed" Interview: Chicago Movie Magazine
Oct 12, 2020
Oct 12, 2020
mel.jpg
Nov 3, 2017
On Mel Rosenthal (1940-2017)
Nov 3, 2017
Nov 3, 2017
On Yaddo
Aug 10, 2017
On Yaddo
Aug 10, 2017
Aug 10, 2017

Copyright © 1999-2026 Burning Sled Media
[site search]