Daron Hagen (b. 1961) was recognized in 2014 by the American Academy of Arts and Letters with an Academy Award citing his "outstanding artistic achievement and acknowledging the composer who has arrived at his or her own voice"—an extraordinary statement, as his effusively eclectic works blend with subversive fluency Renaissance polyphony and extended vocal techniques, 40s Americana and electro-acoustic soundscapes, ambient sound installations and opulent multi-media verismo operas, 60s folk rock and Weimar agitprop, sprawling Modernist sound mass works and exquisitely-wrought chamber works and concertos for traditional Japanese instruments. The citation goes on to characterize him as "a multi-faceted composer who does a first-rate job on anything concerning music—its creation, its performance, and its communicability. His remarkable and diverse music compositions include operas, choral works, symphonies, and chamber music. In addition, he is celebrated for his work as a conductor, artistic and stage director, and librettist.”

The mid-career recipient of commissions from the New York Philharmonic, Seattle Opera, Philadelphia Orchestra, and over a dozen other major orchestras and opera companies, he has written more than 350 works for the concert stage, including 9 operas (A Woman in Morocco, Shining Brow, Amelia, Bandanna, Vera of Las Vegas), and the forthcoming Orson, which he will also design and direct; 14 concertos (for Gary Graffman, Jaime Laredo, Sharon Robinson), 5 symphonies (Philadelphia, Milwaukee, Oakland, Albany, Phoenix), 22 song cycles (Paul Sperry, Kings Singers, Ashley Putnam); and dozens of chamber, band, and choral works.

Hagen blends idioms ... with soaring melodies that send the characters looping off in arias of self-revelation.
— Times of London

Hagen is a frequent conductor, collaborative pianist, librettist, and stage director of his own theatrical works who has worked with Leonard Bernstein, Ken Cazan, Michael Christie, Lara Downes, JoAnn Falletta, Nathan Gunn, Kate Lindsey, Michael Morgan, Robert Orth, Gerard Schwarz, Leonard Slatkin, and Stephen Wadsworth, among others. A Lifetime Member of the Corporation of Yaddo, a Trustee of the Douglas Moore Fund for American Opera, and Chair of Composition for the Wintergreen Festival Music Academy, he has served as artistic director of the Seasons Music Festival, and as president of the Lotte Lehmann Foundation.  

Born in Wisconsin, Hagen studied composition with Ned Rorem at the Curtis Institute and David Diamond at the Juilliard School, then worked extensively as a copyist and editor for numerous concert composers and Broadway shows, including Elliot Carter, Virgil Thomson, Gian Carlo Menotti, and Disney. He taught for a decade at Bard College, and served on the faculties of the Curtis Institute, the Chicago College of Performing Arts, New York University, and the Princeton Atelier, among others, before turning his attention solely to teaching privately and creating. His music is recorded on Naxos, Albany, CRI, and Bridge. A Manhattanite for 28 years, he and his wife, composer Gilda Lyons, moved Upstate in 2011 to raise their sons.

Read a year-by-year chronology here, and an in-depth biography here. Download high-res headshots here.

To say that Daron Hagen is an extraordinary musician is to underrate him. Daron is music.
— Opera News
Daron Hagen is a composer born to write operas.
— The Chicago Tribune