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Premierebuy string quartet parts buy SSAA / piano score SSAA / string quartet study score 20 November 2005 Cathedral of Saint John, Milwaukee, WI Milwaukee Choral Artists / Present Music / Sharon Hansen InstrumentationSSAA. string quartet
Duration21'
TextAmelia Earhart (E)
Program Note1. We Are Running North and South
2. Courage 3. Choice 4. Paper Tigers 5. Wait 6. Why Flyers Fly I have long had an intense recurring dream: in it I am flying through the air unaided, looking down at the world and feeling ecstatic. I have always associated flying with creativity, with freedom, with exploration, with life, and with spirits (good and ill). As a teenager, I modeled for a statue my mother sculpted of Icarus, with whom I have always identified. When Kevin Stalheim and Present Music commissioned a new piece from me in 1995, I was developing an opera about personal reinvention and American society called Vera of Las Vegas. Consequently, the piece Present Music premiered became the core musical material for the entire opera, which debuted several years later. Since 2003, I have been developing an opera about flight — bound for premiere by the Seattle Opera in 2009 — called Amelia. I have chosen a similar compositional strategy to the one that worked so well ten years ago in this new work for Present Music, with the result that Flight Music is an exploration of the ideas that will become Amelia over the next few years. Amelia Earhart — lost in her airplane somewhere over the Pacific Ocean on July 2nd, 1937 and running low on fuel — is a major character in that opera, and the reason that Flight Music exists. At 8:45 that final morning, Earhart reported over the radio, "We are running north and south." Nothing further was heard from her. The mystery and poetry of early death or disappearance throws into sharp relief the things said by that person in life. I have arranged Earhart's words for Flight Music into a song cycle that creates a similar effect: as listeners, we join Earhart in her plane for the first song, retreat into her past (perhaps as she did as she came to terms with her predicament) for the next three songs, and then return with her to her present for the penultimate song, closing with one of her more poetic comments about flight. Flight Music was composed at Yaddo in Saratoga Springs, New York, and in New York City, during August of 2005.— Daron Hagen, 2005
Reviews'Flight' takes off beautifully
Earhart's words glow in performance Daron Hagen balances aching dissonance and soothing consonance so delicately in his new "Flight Music" that its harmonies reach beyond the ears and cause the skin to tingle. These choral settings of quotations by aviatrix Amelia Earhart advance from chord to chord not so much in functional patterns of tension and release as through a spectrum of rich and subtly shifting color. "Flight Music" premiered Sunday at Present Music's Thanksgiving concert. The group's resident string quartet played the inaugural, along with Sharon Hansen's Milwaukee Choral Artists. The 17 women of this superb choir fine-tuned Hagen's sky-high columns of sound. They set the overtones aglow and lighted up the Cathedral of St. John the Evangelist with purely musical electricity. The women sang and Hansen conducted this difficult work with utter technical command and great sympathy for its ecstatic beauty, its meditative calm and its subtly propulsive rhythm. Earhart's texts are lumpy on the page - she can be something of a flowery aesthete on the beauty of flight - but Hagen's music ennobles them. He even makes the deadpan communication of aviation sound poetic. Such a phrase as "We will repeat this message on six-two-one-zero kilocycles" becomes at once a meditative litany and an engine of rhythm. The glowing beauty of Hagen's new work contrasted sharply with... — Tom Strini, The Milwaukee Journal Sentinel, 11/20/05
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